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National-socialisme --- Politique et culture --- Allemand (langue) --- National socialism --- Political culture --- German language --- Histoire. --- Aspect social --- Aspect psychologique --- Aspect politique --- History. --- Psychological aspects. --- Social aspects --- Psychological aspects --- Political aspects --- Hitler, Adolf, --- Influence --- Influence. --- Germany --- Civilization --- Hitler, Adolf --- Pragmatics --- Sociolinguistics --- anno 1930-1939 --- anno 1940-1949

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Introducing a new comparative theory of ethnicity, Andreas Wimmer shows why ethnicity matters in certain societies and contexts but not in others, and why it is sometimes associated with inequality and exclusion, with political and public debate with closely-held identities, while in other cases ethnicity does not structure the allocation of resources, invites little political passion, and represent secondary aspects of individual identity.

Sociology of minorities --- Ethnicity --- Boundaries --- Politics and culture. --- Ethnic barriers. --- Ethnic relations. --- Ethnicité --- Frontières --- Politique et culture --- Frontières ethniques --- Relations interethniques --- Political aspects. --- Aspect politique --- Politics and culture --- Ethnic barriers --- 846.1 Ethniciteit --- Inter-ethnic relations --- Interethnic relations --- Relations among ethnic groups --- Acculturation --- Assimilation (Sociology) --- Ethnic groups --- Ethnology --- Social problems --- Sociology --- Minorities --- Race relations --- Culture --- Culture and politics --- Borders (Geography) --- Boundary lines --- Frontiers --- Geographical boundaries --- International boundaries --- Lines, Boundary --- Natural boundaries --- Perimeters (Boundaries) --- Political boundaries --- Borderlands --- Territory, National --- Political aspects --- Ethnology. Cultural anthropology --- Ethnicité --- Frontières --- Frontières ethniques --- Ethnic relations --- 846.1 Etniciteit

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"During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan."--Publisher's description.

Arts, Japanese --- Arts --- Arts and society --- Avant-garde (Aesthetics) --- Politics and culture --- J4000.90 --- J4010 --- J6008.90 --- Culture --- Culture and politics --- Aesthetics --- Modernism (Art) --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Mavo (Group of artists) --- Political aspects --- History --- Japan: Social history, history of civilization -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Japan: Social sciences in general -- ideology, socio-political and socio-economic movements --- Japan: Art and antiquities -- history -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Social aspects --- Arts, Primitive --- Art and Design. --- Arts and society. --- Arts et société --- Arts japonais --- Arts, Japanese. --- Avant-garde (Aesthetics). --- Kunst. --- Politics and culture. --- Politique et culture --- Histoire --- Political aspects. --- 1900-1999. --- Japan.

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To understand how China is shaping the twenty-first century, China Dreams eavesdrops on conversations between officials, scholars, bloggers, novelists, film-makers and artists. Rather than pitting Confucian China against the democratic west, Callahan weaves Chinese and American ideals together to describe a new "Chimerican dream".

Sociology of culture --- Economic conditions. Economic development --- International relations. Foreign policy --- Political sociology --- anno 2000-2009 --- anno 2010-2019 --- China --- Social change --- Politics and culture --- Intellectuals --- Changement social --- Politique et culture --- Intellectuels --- Biography --- Biographies --- United States --- Chine --- Etats-Unis --- Foreign relations --- Forecasting. --- Intellectual life --- Relations extérieures --- Prévisions --- Vie intellectuelle --- Politique et gouvernement --- Politique économique --- S02/0154 --- S02/0310 --- China: General works--China (and Asia): since 1989 --- China: General works--Intercultural dialogue --- Relations extérieures --- Prévisions --- Culture --- Culture and politics --- Political aspects --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Intellectual life. --- Relations extérieures. --- Politique et gouvernement. --- Politique économique. --- Kine&#x308 --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- Kitai&#x306 --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Sāthāranarat Prachāchon Čhīn --- République Populaire de Chine --- República Popular China --- 中&#x570B --- 中&#x56FD --- 中华人民共和&#x56FD --- Jhongguo&#x301 --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- Khi︠a︡tad --- Думдад Ул&#x441 --- PRC --- P.R.C. --- BNKhAU --- БНХАУ --- Politique économique.